Great Litany
Kievan Chant

God is the Lord and Troparion of the Resurrection, 1st Tone
Abbreviated Greek Chant

God is the Lord and Troparion of the Resurrection, 2nd Tone
Common Chant

God is the Lord and Troparion of the Resurrection, 3rd Tone
Abbreviated Greek Chant

God is the Lord and Troparion of the Resurrection, 4th Tone
Abbreviated Greek Chant

God is the Lord and Troparion of the Resurrection, 5th Tone
Abbreviated Kievan Chant

God is the Lord and Troparion of the Resurrection, 6th Tone
Abbreviated Bulgarian Chant

God is the Lord and Troparion of the Resurrection, 7th Tone
Abbreviated Bulgarian Chant

God is the Lord and Troparion of the Resurrection, 8th Tone
Kievan Chant

Theotokion of the Resurrection, 1st Tone
Abbreviated Greek Chant

Theotokion of the Resurrection, 2nd Tone
Common Chant

Theotokion of the Resurrection, 3rd Tone
Abbreviated Greek Chant

Theotokion of the Resurrection, 4th Tone
Abbreviated Greek Chant

Theotokion of the Resurrection, 5th Tone
Abbreviated Kievan Chant

Theotokion of the Resurrection, 6th Tone
Abbreviated Bulgarian Chant

Theotokion of the Resurrection, 7th Tone
Abbreviated Bulgarian Chant

Theotokion of the Resurrection, 8th Tone
Kievan Chant

Kathisma Responses
Common Chant

Small Litany
Kievan Chant

Polyeleos
Athonite Melody

Evlogitaria of the Resurrection
Kievan Chant, 5th Tone

“From my youth”
Hymn of Ascents, 1st Antiphon, 4th Tone
Common Chant
*melody in Alto

“From my youth”
Hymn of Ascents, 1st Antiphon, 4th Tone
Moscow Chant

Prokeimenon at Sunday Matins, 1st Tone
Znamenny Chant

Prokeimenon at Sunday Matins, 2nd Tone
Znamenny Chant

Prokeimenon at Sunday Matins, 3rd Tone
Znamenny Chant

Prokeimenon at Sunday Matins, 4th Tone
Znamenny Chant

Prokeimenon at Sunday Matins, 5th Tone
Znamenny Chant

Prokeimenon at Sunday Matins, 6th Tone
Znamenny Chant

Prokeimenon at Sunday Matins, 7th Tone
Znamenny Chant

Prokeimenon at Sunday Matins, 8th Tone
Znamenny Chant

Having beheld the Resurrection
Kievan Chant, 6th Tone

“We praise, we bless, we worship the Lord...”
includes all tones
– matches chant styles of the following sets of Irmoi of the Resurrection
(“We praise, we bless...” is also included with the sets of Irmoi of the Mother of God)

Irmoi of the Resurrection, 1st Tone
Greek Chant

Irmoi of the Resurrection, 2nd Tone
Abbreviated Znamenny Chant

Irmoi of the Resurrection, 3rd Tone
Kievan Chant

Irmoi of the Resurrection, 4th Tone
Greek Chant

Irmoi of the Resurrection, 5th Tone
Abbreviated Znamenny Chant

Irmoi of the Resurrection, 6th Tone
Abbreviated Znamenny Chant

Irmoi of the Resurrection, 7th Tone
Abbreviated Kievan Chant

Irmoi of the Resurrection, 8th Tone
Greek Chant

Irmoi of the Mother of God, 4th Tone
Abbreviated Greek Chant

Irmoi of the Mother of God, 4th Tone
Abbreviated Greek Chant, different arrangement
*should only be sung with all four parts

Irmoi of the Mother of God, 4th Tone
Znamenny Chant

Song of the Most Holy Theotokos, 4th Tone
“My soul doth magnify the Lord”
Abbreviated Greek Chant
– this arrangement matches the first set of Irmoi of the Mother of God

Kontakion of the Resurrection, 1st Tone
Abbreviated Greek Chant

Kontakion of the Resurrection, 2nd Tone
Common Chant

Kontakion of the Resurrection, 3rd Tone
Abbreviated Greek Chant

Kontakion of the Resurrection, 4th Tone
Abbreviated Greek Chant

Kontakion of the Resurrection, 5th Tone
Abbreviated Kievan Chant

Kontakion of the Resurrection, 6th Tone
Abbreviated Bulgarian Chant

Kontakion of the Resurrection, 7th Tone
Abbreviated Bulgarian Chant

Kontakion of the Resurrection, 8th Tone
Kievan Chant

Great Doxology
Common Chant

Troparion of the Resurrection
after the Great Doxology on Sundays of the 1st, 3rd, 5th, & 7th Tones
Znamenny Chant, arranged by Archpriest George Johnson

Troparion of the Resurrection
after the Great Doxology on Sundays of the 2nd, 4th, 6th, & 8th Tones
Znamenny Chant, arranged by Archpriest George Johnson

Augmented Litany
Kievan Chant

Litany of Fervent Supplication
Abbreviated Kievan Chant

To Thee, the Champion Leader
Kievan Chant, 8th Tone, arranged by Archpriest George Johnson

To Thee, the Champion Leader
Greek Chant, 8th Tone, arranged by Archpriest George Johnson
*melody in Alto
– a split in the tenor part offers a low option for choirs without any true tenors, but if resources allow for only one tenor part, the higher one should be sung when feasible

To Thee, the Champion Leader
by Boris M. Ledkovsky (adapted for English by Archpriest George Johnson)
*melody moves between Alto and Soprano