Great Litany
Kievan Chant
God is the Lord and Troparion of the Resurrection, 1st Tone
Abbreviated Greek Chant
God is the Lord and Troparion of the Resurrection, 2nd Tone
Common Chant
God is the Lord and Troparion of the Resurrection, 3rd Tone
Abbreviated Greek Chant
God is the Lord and Troparion of the Resurrection, 4th Tone
Abbreviated Greek Chant
God is the Lord and Troparion of the Resurrection, 5th Tone
Abbreviated Kievan Chant
God is the Lord and Troparion of the Resurrection, 6th Tone
Abbreviated Bulgarian Chant
God is the Lord and Troparion of the Resurrection, 7th Tone
Abbreviated Bulgarian Chant
God is the Lord and Troparion of the Resurrection, 8th Tone
Kievan Chant
Theotokion of the Resurrection, 1st Tone
Abbreviated Greek Chant
Theotokion of the Resurrection, 2nd Tone
Common Chant
Theotokion of the Resurrection, 3rd Tone
Abbreviated Greek Chant
Theotokion of the Resurrection, 4th Tone
Abbreviated Greek Chant
Theotokion of the Resurrection, 5th Tone
Abbreviated Kievan Chant
Theotokion of the Resurrection, 6th Tone
Abbreviated Bulgarian Chant
Theotokion of the Resurrection, 7th Tone
Abbreviated Bulgarian Chant
Theotokion of the Resurrection, 8th Tone
Kievan Chant
Kathisma Responses
Common Chant
Small Litany
Kievan Chant
Evlogitaria of the Resurrection
Kievan Chant, 5th Tone
“From my youth”
Hymn of Ascents, 1st Antiphon, 4th Tone
Common Chant
*melody in Alto
“From my youth”
Hymn of Ascents, 1st Antiphon, 4th Tone
Moscow Chant
Prokeimenon at Sunday Matins, 1st Tone
Znamenny Chant
Prokeimenon at Sunday Matins, 2nd Tone
Znamenny Chant
Prokeimenon at Sunday Matins, 3rd Tone
Znamenny Chant
Prokeimenon at Sunday Matins, 4th Tone
Znamenny Chant
Prokeimenon at Sunday Matins, 5th Tone
Znamenny Chant
Prokeimenon at Sunday Matins, 6th Tone
Znamenny Chant
Prokeimenon at Sunday Matins, 7th Tone
Znamenny Chant
Prokeimenon at Sunday Matins, 8th Tone
Znamenny Chant
Having beheld the Resurrection
Kievan Chant, 6th Tone
“We praise, we bless, we worship the Lord...”
includes all tones
– matches chant styles of the following sets of Irmoi of the Resurrection
(“We praise, we bless...” is also included with the sets of Irmoi of the Mother of God)
Irmoi of the Resurrection, 1st Tone
Greek Chant
Irmoi of the Resurrection, 2nd Tone
Abbreviated Znamenny Chant
Irmoi of the Resurrection, 3rd Tone
Kievan Chant
Irmoi of the Resurrection, 4th Tone
Greek Chant
Irmoi of the Resurrection, 5th Tone
Abbreviated Znamenny Chant
Irmoi of the Resurrection, 6th Tone
Abbreviated Znamenny Chant
Irmoi of the Resurrection, 7th Tone
Abbreviated Kievan Chant
Irmoi of the Resurrection, 8th Tone
Greek Chant
Irmoi of the Mother of God, 4th Tone
Abbreviated Greek Chant
Irmoi of the Mother of God, 4th Tone
Abbreviated Greek Chant, different arrangement
*should only be sung with all four parts
Irmoi of the Mother of God, 4th Tone
Znamenny Chant
Song of the Most Holy Theotokos, 4th Tone
“My soul doth magnify the Lord”
Abbreviated Greek Chant
– this arrangement matches the first set of Irmoi of the Mother of God
Kontakion of the Resurrection, 1st Tone
Abbreviated Greek Chant
Kontakion of the Resurrection, 2nd Tone
Common Chant
Kontakion of the Resurrection, 3rd Tone
Abbreviated Greek Chant
Kontakion of the Resurrection, 4th Tone
Abbreviated Greek Chant
Kontakion of the Resurrection, 5th Tone
Abbreviated Kievan Chant
Kontakion of the Resurrection, 6th Tone
Abbreviated Bulgarian Chant
Kontakion of the Resurrection, 7th Tone
Abbreviated Bulgarian Chant
Kontakion of the Resurrection, 8th Tone
Kievan Chant
Holy is the Lord our God
in all tones, matching the above irmoi
Selected Stichera on the Praises, 1st Tone
Kievan Chant
Selected Stichera on the Praises, 2nd Tone
Kievan Chant
Selected Stichera on the Praises, 3rd Tone
Kievan Chant
Selected Stichera on the Praises, 4th Tone
Kievan Chant
Selected Stichera on the Praises, 5th Tone
Kievan Chant
Selected Stichera on the Praises, 6th Tone
Kievan Chant
Selected Stichera on the Praises, 7th Tone
Abbreviated Kievan Chant
Selected Stichera on the Praises, 8th Tone
Abbreviated Kievan Chant
Sunday Theotokion on the Praises
Kievan Chant, 2nd Tone, arranged by Archpriest George Johnson
*melody in Alto
Great Doxology
Common Chant
Great Doxology
Archpriest George Johnson
using elements of a Znamenny Chant setting
Troparion of the Resurrection
after the Great Doxology on Sundays of the 1st, 3rd, 5th, & 7th Tones
Znamenny Chant, arranged by Archpriest George Johnson
Troparion of the Resurrection
after the Great Doxology on Sundays of the 2nd, 4th, 6th, & 8th Tones
Znamenny Chant, arranged by Archpriest George Johnson
Augmented Litany
Kievan Chant
Litany of Fervent Supplication
Abbreviated Kievan Chant
To Thee, the Champion Leader
Kievan Chant, 8th Tone, arranged by Archpriest George Johnson
To Thee, the Champion Leader
Greek Chant, 8th Tone, arranged by Archpriest George Johnson
*melody in Alto
– a split in the tenor part offers a low option for choirs without any true tenors, but if resources allow for only one tenor part, the higher one should be sung when feasible
To Thee, the Champion Leader
Greek Chant, 8th Tone, arranged by Archpriest George Johnson
To Thee, the Champion Leader
Boris M. Ledkovsky (adapted for English by Archpriest George Johnson)
*melody moves between Alto and Soprano
